Emerging Artists and Social Impact

What is an emerging artist? Who does this term apply to?

An emerging artist refers to someone in the first 10 years of their career. It’s usually associated with young people, but what about career changes, and people who are thinking about doing writing when they’ve been acting for 40 years? Does the term of emerging cover too much? At what point on your journey are you classed as emerging or emerged? We often put people in boxes without looking at the journey of how far they’ve come or how far they still have to go. And what about the social impact they’re making at whatever stage they’re at?

I love having coaching. I love having outside eyes give me their feedback. It’s all good and I love it, but now that I’m halfway along my emerging journey, and making a decent social impact, I’m getting bored of the stigma. ‘You’re an emerging artist, you must be in year one of your career, good boy for getting this far’. Pat on the head. No wonder creative people are frustrated. The journey of becoming an artist and the impact you make seems to go unseen.

I’m classed as an emerging artist now, but it can take a long time to get to this point. My journey to get here, technically, started 15 years ago but I got my first job 5 years ago. When did I start emerging, and when do I stop emerging? I’ve worked in the arts professionally for 5 years and I love the opportunities I get to progress and learn from, the impact I make, and the encouragement I give other artists to do what they love too, but occasionally I don’t know if a producer realises how long I’ve been doing this, the knowledge and experience I already have, or if they think I’m brand new to it.

That’s what pisses me off about being an emerging artist. Producers don’t seem to think about the past of an emerging artist, or the people you’ve already been affecting with your work. They assume to know where you are on this path. They assume to know you’re at the beginning or midway along the path, when you might already be further along, making a bigger social impact than they expect you to make.

Do you work in the arts and cultural sector? Do you want to strengthen your leadership skills? Are you driven by social impact in your work?

Wherever you are in your career this opportunity might be for you. The School for Social Entrepreneurs are inviting applications to their Creative Leadership programme, a free part-time programme for people in the arts and culture sector, who want to have social impact. Take a look at the website >>> https://www.the-sse.org/courses/creative-leadership/

EB National Theatre © Dom Moore-7.jpg

Effecting Change in 2020

It was my birthday yesterday! Another year older, and maybe another year wiser. We’ll see. As it’s also January and the start of another exciting year, I thought I would let you all know what 2020 has in store for The Shouting Mute…

In 2020 I will be doing a lot for climate change. I have been working as a librettist for Drake Music, collaborating with an incredibly talented team to bring you Planted Symphony, a musical theatre installation that will tour the UK. Check that out when it comes out in May. It will be beautiful. I can tell you now, come and see it because it will be stunning. So there’s that to look forward to.

I am also writing and directing another art installation for the festival Inside Out Dorset 2020. Again about climate change but answering the question ‘The environment and people, what happens?’ You can have your say when I reach out for public input, especially if you live in Dorset.

So, what are you doing to help the environment? I have to admit I throw away stuff that I could probably recycle, but stuff gets so rank in a cabinet. Hmm, bad start I admit. What what will you do to save the planet this year? Not in 20 bloody years. This year. This month. This week. If not today then tomorrow. Here is mine.

I will try and research how to start using solar and wind power, and I will make sure that my stuff doesn’t get rank so I can recycle it. Sadly I can’t go vegan because I don’t want to poo all day. Having cerebral palsy isn’t that environmentally friendly. I’m sorry. I do use 500 paper towels a day, and I’m sorry about that too, but it’s better than having your washing machine on all day probably using power from fracking, and oil from the sea. A massive clap to the Trumps of the world. Well done, thanks for killing the world. Wind and sun are the way forward. Greta Thunberg I agree with you, but I’m also sorry that having a disability doesn’t make me more environmentally friendly. I’ll do what I can.

What are your environmental plans for 2020?


Governance Now 2019

I was invited to attend and present a speech at a conference called Governance Now, which brought together board members from companies, charities, and arts organisations across the UK. Governance means the way organisations are managed at the highest level, usually with a group of diverse people who come together to discuss decision making, called a board (of directors or trustees), and I think it’s important that all kinds of people, but especially young people, the voices of the future, are represented by a member on every board. It was a great day with some great speeches and presentations, that left us with a lot to think about.

This was the speech I gave at Governance Now –

Hello, I am Dave Young, a performance poet and artist.

I am on the board of Trustees at Diverse City. I have been attending board meetings on and off for the last 5 years or so but I have been an official board member for the last 2 years.

Last year I became involved with On Board which is an initiative to encourage more young people into the Board room of cultural organisations.  It was helpful to redefine my role on the board and now I am more confident to contribute in meetings. It was a good learning experience for me. On Board made me more settled and  engaged in meetings.  I am now really interested in governance and am seeking out more board opportunities.

I have worked with Diverse City since I was 12 and watched as it has grown bigger. I was often asked to represent some of the young members of Diverse City’s  Youth projects  and basically I just fell into governance after they asked me to sit in on some board meetings to share and report on the Youth Activities of the Company. After that I was invited officially to join the board but before that I hadn’t really thought that much into becoming a board member. I knew the company as a participant and then as an artist and activist so it just felt right to work more  closely with it as it changed and developed. I have benefitted by getting to see how a company can grow and expand.
How does Diverse City help me in board meetings? They give me the papers in time so I can get my reading done and note down any worries or questions that I have before the meeting. Any good and committed organisation and board member ideally should do this anyway. They offer me a buddy in meetings to support me and I can ask them questions. And they check before moving on to the next item. They always provide a break out space so if anyone needs a time out they can go there and after a few minutes rejoin the meeting.

If your company doesn’t reflect society, how can it reach out and grow? If you don’t have any diverse, young or disabled representation then how can you realistically move forward into the future? Diverse City has embraced the face of society and seeks to reflect the wider community within its work but also within its management and Governance. We still have a long way to go but it is an exciting journey and I am proud to be part of it.


Pitching ‘Grow Up’ @ Unlimited Connects

Unlimited Connects was a fascinating day of hearing pitches for some fantastic shows. In the morning we had a conversation about disabled artists and what jobs we are happy to do in organisations to promote real change and inclusion. On the other hand, we need to consider if we are just there to tick a box. If you’re happy to be a tick box, do it amazingly so that disabled people and artists might not be seen as boxes to tick in the future. It was a very interesting conversation to be a part of. There was some fantastic chatter to listen to.
Then it was pitch time, and there was so much incredible talent in the room – Bim Ajadi, Hotcoals Theatre, Hannah Treadaway and Jamie Beddard. all pitched their shows, as well as me. It was an incredible day. This was my pitch, and my plans for ‘Grow up and Just Love Chocolate’…

Hi Everyone, my name is David Young and I am The Shouting Mute. I am a poet, performance artist and an activist. I believe that there should be more voices like mine on stage. AAC users are vastly under represented in the arts and I would like to change that. I believe it is the unexpected people in the room who have the most to say but they are often not listened to.

I’d like to talk to you about my current project called ‘Grow Up and Just Love Chocolate’ which is a piece of theatre that combines spoken word, puppetry and movement. The story, written by myself, from my perspective as an AAC user, explores relationships between people and equipment. It also explores voices and experiments with giving people and things a voice that do not usually have one. During the show audiences will see inanimate objects become animated, like this very wheelchair I am sitting in, come to life and demonstrate its own character and voice. Previous audience members have described the show as funny, uplifting and deeply moving. Audiences say that the show made them think about a different world.

I believe that a tour of the show would be a good opportunity to run workshops alongside it. I would really like to deliver workshops to other AAC users to explore their voices in a creative environment and what the objects in their world might sound like. Workshops are a great tool to continue exploring ideas as well as giving a rare opportunity for AAC users to explore creative talent.

I would like to bring together artists, organisations and AAC users and I’d like to be able to share my show with a wide range of people.

Now I am going to show you a short film about the project. The film includes shots from a performance of grow up and just love chocolate and shots from the rehearsals. You will see me and 3 actors. I am shown in my wheelchair, in my walking frame which surrounds my body and lying down on a mat with my head to the ground. Group images show actors manipulating my equipment so they look as though they are speaking. A puppet made out of dairy milk bars lap dancing on me. Me with my shirt ripped open being smothered in chocolate and the creative team preparing for the show during a technical rehearsal here at Salisbury playhouse.


So, this project has had 2 rounds of funding from the arts council, one for research and development to explore different ways of performing poetry which led us to create the show, and the second one to make a performance from that content which was performed here in February. The show is for age 15 years+ because of the content and will be a mixed audience including disabled and non-disabled people.

We are now ready for the next step in the journey. I am looking for venues that may be interested in booking the work and spaces to help me develop it even more, including the workshops. I am also looking for producing support and of course more funding. I would welcome any conversations about the project, your thoughts, ideas and any pointers. I have contacts with the AAC users community and I am an influencer.

I would like to thank Unlimited Connects for inviting me to speak about my project and to this great venue for being generally fantastic.

To continue the conversation you can email me on dave@theshoutingmute.com and find me as The Shouting Mute on social media.

Thank you very much


Creating a Life with a Care Team

When you need to put together a care team to support your daily needs, it can be a tricky balancing act of finding the right fit. You’re not just hiring staff, you’re not just looking for people who are capable of doing the work. You have to think about the kind of people you want to let into your private world, who you’re comfortable spending time with, who you and your friends and family will have to socialise with. You need people who will understand you from every angle, and take on whatever you’re dealing with in your daily life, as well as have the common sense not to patronise you, or do too much for you, encouraging your independence wherever possible. It’s a tricky business, but it ends up being a lot of fun when you do find the right fit.

I feel so lucky to have met and worked with carers who have become great friends as well as employees. We often share the same sense of humour, banter, jokes, and similar interests. My first full-time carer, Zack*, came to work with me when I finished school and we loved going to athletics club and football training together, tackling my physio and fitness through sport. We went on holiday together, and the furthest we got was Australia where we went to see crocodiles at the zoo. We had a lot of fun, as well as ticking off the usual list of daily chores like getting me out of bed, washing, and having breakfast, but also supporting and listening to me create music and write.

Then there was Dan*, who was my gig and football buddy. We used to watch Chelsea play at the Bridge every month, and he took me to see a lot of bands play live; including Blink 182, Paramore, Less Than Jake, and Reel Big Fish, just to name a few. Dan was also my tech wizard, who helped program my communication aid computers with software, and music, and all the stuff I needed. My team often have their own individual skills that makes them an expert of a particular area of my life.

I also work with Creative Enablers who double up as care staff when I need them to. Stacey* helps me with the career side of my life, supporting my work commitments and networking. We are both creatives, writers, and artists so we share an interest in the cultural side of socialising. We go to poetry and spoken word events, the theatre, and Edinburgh Fringe festival for a week every year, seeing as many shows as we can fit in, inspiring our own work with what we see.
I’m looking for more staff to add to my amazing team. Please read on if you want to know more about the job, and/or share this blog with your friends who might be interested in a very fun and rewarding role working with me.
Title: Full Care Team | Haggerston E8 and Poole, Dorset
Location: Haggerston and Poole
Wage: £10.00 to £15.00 gross per hour depending on experience
Driver required? Preferably but not essential
Preferably:  Previous experience supporting a young client with cerebral palsy, manual handling
Preferable: AAC communication, basic cooking
Happy to assist with helping with moving and handling.
Happy to assist with a physiotherapy programme.
Happy to clean and tidy various rooms.
Start Date: ASAP
Days & Hours:
Full time: Up to 3 x 24 hour shifts per week, working as part of a 24/7 team.
Part time: Up to 6 hour shifts, working in the team.
Accommodation: Own bedroom and shared bathroom whilst on duty if you apply for the 24 hour shifts.
I’m 24 and have quadriplegic cerebral palsy. I’m dependent on others for almost all of my needs. I have a huge passion for life, working as a poet, theatre maker, workshop leader and director of a large not-for-profit theatre. I am non-verbal, using eye gaze technology to communicate and drive a power chair using head switches.

The role will involve assistance with all aspects of personal care and all aspects of daily living; you must be confident in manual handling, providing personal care and administering medication. I spend a lot of my time going to the theatre, concerts, music gigs, and sport matches. An enthusiasm for creative arts and/or sport would be an advantage. This job will involve working between Poole in Dorset and Haggerston in London, with lots of travel both in the UK and sometimes abroad. The ability to confidently navigate a step-free route across London is important. The family home, in Poole, has a hydro therapy pool and assistance and willingness to support me in the water is also essential.

I have a work PA and use Creative Enablers in theatre spaces and rehearsal rooms. You will have to be flexible to accommodate the change-over times to fit in with work and location requirements.

This job will suit a motivated, proactive candidate with plenty of common sense who has some experience supporting a client with a disability and understands the importance of promoting independence.

If you are interested in this fantastic opportunity message @TheShoutingMute with a cover letter and CV, or ask any questions you have regarding the role.

We are on our way to Doing Things Differently a festival in Bristol celebrating equality in the arts.
*Names have been changed to protect privacy

Communication Matters 2019

I was invited to be a keynote speaker at the Communication Matters Conference at the beginning of September, to pass on the Alan Martin Award I won for my Contribution to Creative Arts at the conference in 2018. This year, I was asked to write and give the plenary speech, which was an incredible experience and an honour to do. I’ve shared my speech at the end of this blog post, if you want to read it. I hope I made a change to some of the people listening and, if you were at the speech, this is your opportunity to ask me any questions you might have. Comment on this post with your question, and I will answer it.

It was an incredible conference this year, very well programmed and thought-provoking. I listened to the other keynote speaker, Karen Erickson, give her speech. She talked about literacy and special edition with communication aid\AAC users. She said that everyone, whatever their ability, should be able to learn English. If we can learn how to use symbols, we can learn 26 symbols that can be combined to say anything you want – the 26 letters of the alphabet. We learn when we’re challenged, so we should push a bit further all the time. A lot of what she said actually mirrored my journey with literacy skills growing up, not moving on from symbols until I actually left school. So AAC users/communication aid users, here’s a tip for you – start spelling and typing with a qwerty keyboard as soon as possible. You can do it.

I also went to the AAC Users’ Annual meeting. The subjects discussed were AAC reliability and battery life, which I agree are issues I do face, but we use computers at the end of the day and computers get old and sometimes break but not as much this guy was saying. He had a replacement computer every year, and that is not on. Another subject that was discussed at the meeting was if there would there be interest for an AAC users workshop, to explore the arts for a day or a weekend. Would people be interested in that? We could put on poetry sessions / performances, Eye Gaze music and painting workshops. If you are an AAC user would you be interested in this, for a day or a weekend?

Here is the plenary speech I gave as a keynote speaker…

Hello everyone. I am Dave the Shouting Mute. I am called The Shouting Mute because my mum couldn’t shut me up. I am a poet, a performance artist and an activist for disabled people, especially communication aid users. I believe that the unexpected people in the room have the most to say but they are often not listened to. But they have a mountain of knowledge from listening and observing all the time.

Now, I will tell you the truth, the first performance I did, using my communication aid, I hated. I was switch scanning at the time and I know that I missed every cue. Afterwards I actually didn’t perform with a communication aid for about 5 years. I kept on performing though, through movement and acting with voiceless and I performed everything with voiceless. I danced my way around the stage to communicate and I loved it. I even danced in Brazil and then at the Olympic opening ceremony on Weymouth Beach.

Whilst this great performance journey was going on, in about 2010, I tried out eye gaze technology properly and it changed my life. I think my first eye gaze was an Eco 2 with a point. Eye gaze technology was a creative game changer for me in a few ways. I could write faster and more easily so I could participate more. I wrote my first poem and then I discovered writing just for myself. Night after night after school. I just couldn’t stop myself. I could write my own stories and save sentences I  wanted to share or just write for me. It really really changed my life and the way I thought about communication.

I was still performing and doing incredible things. Then at about the same time my school was involved with another project called Seen but Seldom Heard Voices. With them I performed my first poem in public with my Eco Point live on stage. From there my love for performing live and creating just grew and grew with and without my communication aid.

In 2013 I left school and that’s when my creative journey really took off. It all came together with Touched, a piece of poetry I wrote for Diverse City, for a performance on the South Bank for the Unlimited festival. My computerised voice boomed out along the waterfront, drawing people into our show. People were stopping and watching us, cheering as a group of disabled artists enthralled them. Touched made me who I am. Diverse City could see what I did not see and had not believed possible. They saw me as an artist, a writer, a performer and a potential director. Diverse City believe that everyone has the right to create theatre and the right to watch theatre and they asked me to join them.

So now I want to make sure communication aid users are welcomed into the arts in any art form that they choose. By working inclusively and creating a culture whereby AAC users can participate, a bit like how deaf people have very successfully become enabled to perform and to sign on stage and access performance in a way that is creative and accessible. Many Theatres have relaxed performances that encourage everyone to come and enjoy the show and where it’s ok to shout and scream, cough or jump about, even spit or swear, and have noises going off because of computers or technology, but that doesn’t  worry anyone whether they are performing or watching.

Communication for me is more than just words being spoken by my computer. In 2014 I wrote a poem for my drama group for the first time. They took my words and turned it into a performance full of emotion and colour. It was like a bomb exploding in my head, words and performance merged together into an art form with music and dance and BSL all combined. Everything fit into place. It had taken years so don’t let your first experience of something put you off.

Yes, I still miss a cue sometimes, but I can write and share my work and ideas with others and listen to people and make sure everyone is heard. Communication aid users need to have creative expression and use their voice in every way. From physical movement and shouting, to typing a story. Even how you dress is a form of communication. Use that to tell your story. Use that to say I am here. This is me. The fact that I can’t do something the same way others do it doesn’t really matter and I am still communicating in every way. All arts are a form of communication. Writing can express so much of a person through a creative out blast. Painting, music and performance can all do the same. We should use art as a form of communication to get out what we are all trying to say.

I am going to read some poems now, but after I want to take a second to think about the messages behind the poem for yourself. This first poem is Be Cheeky Be Naughty Get Us Into Trouble. I have a walking frame that I slowly under-use as I get a bit older and if I am honest lazy. This is called Be Cheeky Be Naughty Get Us Into Trouble. It goes like this.

Be cheeky, be naughty, get us into trouble. Let’s ram into mats and let your special friend ride our back. Let your mate Terry spin us around. Be cheeky, be naughty, get us into trouble. Let’s run around the track, you need to run again. Let’s let them hit balls at us. Do wheelies, put your feet up, scuttle and skate. Be cheeky, be naughty, get us into trouble. Let’s splash through puddles and mud and put paint on my wheels again. Let’s put a hose pipe on me and have a water fight. Let’s dance, go on stage, get too close to the edge, find a wig, a guitar, dress up as a rock star. Let’s hide and run. Play grandmother’s footsteps, see the waves and run away from mum with the dog. Be cheeky, be naughty, get us into trouble.  Let’s kick balls. Let’s jump up and down, bat off hockey balls. Let’s run to class one minute late again. Push the boundaries. Get me out. Out with the air filling up our lungs. Some other time than the physio hour. Be cheeky, be naughty, get us into trouble again.
This next poem is called Grow Up. This poem is about a friend that moved away. It goes like this.

Grow up. Grow up. We are older now. Grow up. Grow up. I don’t like you anymore in that way. Grow up. Grow up. I just asked a question. Grow up. Grow up. I just want to be friends. Grow up. Grow up. We don’t need to play games anymore. Grow up. Grow up. I was just wondering. Grow up. Grow up. I want you to understand that I haven’t got friends like you. Grow up. Grow up. I am moving on but I don’t want to not know you. Grow up. Grow up. I just want another sister and brother, mine have gone away, you are my sister from another mother. Grow up. Grow up. I need you to be there, I am alone. Yes I am doing fantastic in life but that doesn’t necessarily bring friends. Grow up. Grow up. I miss you…
This next poem is a love sonnet to my one true love.

Chocolate yummy! Chocolate scrummy! Chocolate deliciousness! Chocolate in my belly please, preferably right now. Chocolate, I eat you at every opportunity. Chocolate, I make no discrimination to whatever form you present yourself in. Chocolate, milk or white, I will always desire you.  Chocolate, you are the shake to my milk. I am sorry that I sometimes go strawberry pink. I promise that I will commit to you now. Chocolate, you are always on my pancakes, every Saturday morning. Chocolate, cooked as cookie dough. That is a sight like the sunset. Chocolate, you go perfectly with every pudding. Chocolate, you always thrill me when you are near. Chocolate, you are like fags to me. I can’t get through a day without you. Chocolate, I love licking your cake beaters, and the bowl if I am lucky. Chocolate, I love soft brownies. You are a square of heaven. Chocolate, you are saucy. I will enjoy you every second. Cake, bars, ice cream, buttons, and in everything which you kiss. I love you on my lips. Chocolate, I would buy you flowers every day. Chocolate, we could go for romantic walks on the beach. Chocolate, we can go to Belgium together. Chocolate, we could settle down and get a flat together. Chocolate, we could get chicks together, they can lay big chocolate eggs. Chocolate, you are the love of my life. Chocolate. Will you marry me? I don’t think I will ever find another partner like you.
The last poem is The Shouting Mute.

The shouting mute is fighting for a world that has difference, respect and peace as it’s only agreement. The Shouting Mute gets his point across, The Shouting Mute lets people know what he thinks and feels, The Shouting Mute considers and then shouts. The Shouting Mute talks to you like a squirrel but with a tigers roar, The Shouting Mute sees emotions in people. The Shouting Mute knows to listen with his eyes and ears before shouting. The Shouting Mute talks to you with his body. The Shouting Mute talks to you with his head. The Shouting Mute talks to you with his eyes. Watch a mutes body and listen to their talking heart. Saying the dreams, saying the missions, saying the opinions. The Shouting Mute is fighting for a world that has difference, respect and peace as it’s only agreement. The Mute does not stop talking. The listeners do not hear the mute’s words. Listen in, then you will hear the mute speak everyone’s unique language. I am a mute but can you hear me? Yes you can. The quietest people in the room are always the loudest.
Thank you for having me CM.  I have been Dave, The Shouting Mute. Like me on Facebook and Instagram @theshoutingmute. Thank you very much.


Edinburgh Fringe Festival 2019

Edinburgh Fringe was stunning. Show after show. Day after day. Night after night. Funny side stories too.

My powerchair broke and I had to go into my manual. Top tip, always ask for your P.A. to push because your friend will always be the worst choice. To be fair we were late for a show and rushing around but that’s no excuse. They pushed me into every pot hole going.

I saw a show called Lobster, an insight into modern dating, excellent entertainment and hilarious. It needed a message though. There were some stunning moments to the performance but it lacked substance to the story. Where the performance could have said so much more about modern dating, and whether it’s good or bad. She didn’t comment enough on life and what it means to date today, but Gemma had a very smart marketing tool for the show – to go on a date every day of the Fringe. I went on a date with Gemma and it was fun. She is a clever person and we went for a drink, then to dance at the Scottish Ceilidh. She was great fun and it was a great date.

Here are some shows I recommend you look out for, if they go out and about on tour –

Who Cares was a fascinating show about young carers. It was quite hard-hitting but an absolutely beautiful play. It pulled on our heart strings and made us aware of what young carers go through, and the issues around being a kid with responsibilities. The piece followed three characters going through their individual journeys of  life as a young carer. It brought up some serious issues around caring when you’re young, and told us that there needs to more awareness of young people looking after someone at home.

Rosie Jones: Backward. Rosie is a disabled comedian, who we also saw as part of a live recording of The Guilty Feminist Podcast. Her stand-up show was amazing and very funny.

Fishbowl is a theatre clowning show, and an incredible must-see. It was absolutely ridiculous entertainment, very funny. You will wet yourself laughing. This is theatre at its most entertaining. The set was three very different flats on a street, with three performers living in them doing ridiculous things. The highlight for me was when a performer was trying to catch their bag blowing in the wind, and we could see it was attached to a moving pole, but you have to see it to get how hilarious that is.
Louder is Not Always Clearer, a show about being deaf, was a very good insight into communication and deafness. It was relatable but also educational into the life of a deaf person. It raised so many questions around being deaf and disability, which could be considered controversial. My only criticism would be that it felt like a creative theatrical talk and not a theatre performance, but saying that it was very enjoyable and interesting to watch. I would be keen to see how it develops in the future.
Electrolyte was a stunning musical play about mental health. It was so well-written and beautifully performed. This intense watch will make you cry.
All in all Edinburgh was fantastic, we had a dream time, and I’m looking forward to next year, but my advice would be to have everything planned to a cup of hot chocolate, like we did. Shows, times, and locations all need to be lined up so you see everything you want to see.


Fishbowl – slapstick comedy with no dialogue, internationally accessible!